|The studios at VCCA are housed in the former barn
complex. During my second time there, we had
a terrific blizzard. This pictures shows the brilliant
day after the storm with more than a foot
of snow on the ground.
A student recently asked me whether I had ever done a residency. If so, had I found it useful? So I figured this would make a good blog post. I was fortunate enough to be awarded two residencies at the Virginia Center for the Creative Arts (VCCA), one in 2008, and one in 2010.
Both residencies were magical experiences for me, certainly aided by the VCCA’s idyllic setting in an old farm in the Blue Ridge Mountains of Virginia.
The residence hall, studios and grounds are well kept, and the gardens and forest surprise you with all kinds of sculptures and installations.
|One of my favorite installations at VCCA is this
glass labyrinth in the garden, which was
even more fun to engage with in the snow.
Please note that I cannot speak for residencies at other institutions, although I have heard many good things, for instance, about Ragdale.
My residencies at the VCCA exceeded my expectations, and here’s why:
A residency affords you uninterrupted time to write, or pursue your art.
The biggest benefit for me at VCCA was not having to cook, shop for food, or clean up. The only “household” thing I had to do was my laundry. It is amazing how much brain space frees up when you don’t have to tend to everyday life! I anticipated this and had specifically applied to a place that feeds you. Luckily, the VCCA feeds you well; they even have their own kitchen garden. Uninterrupted time is, of course, the main reason for seeking out a residency. You will get that, unless you party all the time, which some people do. The fellows at the VCCA were all dedicated to their work when I was there, and that was inspiring. I didn’t want to show up to dinner, and not have a good answer to: “So what did you do today?” This brings me to my next point:
|My footsteps to my studio, which was actually a
composer’s studio, and thus a freestanding hut
with a piano I had to water.
The camaraderie of other artists spurns you on.
When I first inspected my studio, on the afternoon I arrived, I was intimidated: A whole big room just for me to write? A board hung by the door, bearing all the signatures of writers who’d been there before me. I recognized several names, former professors of mine among them. I was even more intimidated. The next morning, as I wandered to my studio with all my equipment to move in (really just my laptop, and backup materials for my book), I saw others working away in their studios, especially the painter whose studio was across the walkway from mine, so I thought: “If these people can do it, work away, self-propelled, on whatever artistic project they are pursuing, then I can, too.” And so I did. I decided to follow Hemingsway’s example and set a goal of 500 words for myself every day, and I made it.
You make amazing connections.
While I anticipated the bliss of having whole days free to write, I did not anticipate what a fruitful experience it would be to be in the community of other artists, not only writers, but visual artists, i.e. painters, printers, photographers, and also composers. Almost every evening, after dinner, fellows would organize to share their work. There’d be a reading or two; someone would present his or her music; a visual artist would give a presentation, or occasionally, several artists would host an open studio night. At both residencies, I made great friends, not only with fellow writers. Those friendships have enriched my life ever since.
Two or more weeks at the same place really afford you the time to make friends, and to connect with people with similar interests and sensitivities. In my opinion, the community aspect is the real benefit of a residency.
You can arrange for uninterrupted writing time in other ways (rent a hotel room with room service, for instance, or hide in a remote cabin somewhere), but you can hardly arrange to bond with other writers and artists.